Optional CYOA

E.

E wins.

Quickly hiding after the box falls, you hear a raspy “Yes! Hahahahaha!” echo in the distance. Not a minute passes before you see a figure running over to the box. Shoulder length black hair parts to reveal the gaunt-faced girl who held you at knife point earlier, a mischievous grin on her face.

A. Wait and see what she does
B. Sneak up behind her

A

A

You decide to continue observing. The girl raps the side of the box. "You stupid idiot, you couldn't resist that cereal could you? And now I'm going to kill you!" She takes her knife out and laughs. A minute passes without any response from the box. She presses her ear up against the box and shakes it. "Uh, hello? Did you hear me? You're trapped and you're gonna die now." Upon being answered by silence again, she lifts the box up to discover there is nobody inside. "Huh?"

A. Run
B. Shout "GOTCHA!"
C.ontinue to observe

D) Throw a medium size rock with enough force behind it to knock her out, then claim the folding chair as my prize.

D

You pick up the largest rock you can find and hurl it at her. “Augh!” It hits her in the side, knocking her to the ground. You make a mad dash to the box, overturning it.  As soon your hand grasps the cool chrome of the chair, it feels as if a lost part of your body had been reconnected. In one smooth motion you flick up, launching the Rice Krispies box into the air and folding the chair. You raise the chair in one hand and catch the Rice Krispies with the other.
The girl has struggled to her feet, holding out the knife at you with one trembling arm, the other clutching her injured side. “Ugh, y- you skinny [disreputable female]! I’m still gonna kill you!”

A. Fight
B. Run

C) As she says "ugh" cut her off with a bash in the face using the chair.

D) Bash her anywhere quickly, and then once more on the face, and then jam her neck into the folding part of the chair and sit atop the chair, choking her out.

D)

D wins.

She charges at you with the knife. Armed and Krispy, you rush forth to meet her whilst screaming praises to alcohol. With your first strike, the head of the chair solidly contacts the girl in her already wounded side, causing her to double over in pain. She looks back up to you to display a murderous grimace for a split second before her face is caught in your two handed back swing. A loud metallic clang issues from the flat of the chair hitting her jawbone, echoing through the trees. She reels back, twisting and turning about in a dizzy spell. Drawing on your knowledge of 'professional' wrestling, you leap forward and bring the opened chair down around her head. It's too high to sit on, so you grab two chair legs and clamp it around her neck like a pair of blunt-edged scissors.
"Gah- *urk* nguh!" [choking intensifies]
She grabs the sides of the chair to unfold it but you keep the pressure on. After a few minutes of this her struggles cease, eyes closing and body going limp. You let go of the chair and she collapses to the ground. As the rush of adrenaline drains away, you feel a small wet sensation near your belly. You touch the area to find your uniform torn and blood seeping out. It's a shallow puncture wound she must have inflicted during your chair induced rage.

A. Whatever
B. Lie down to reduce bleeding

C. Urinate, and use the fresh sterile urine to scrub the wounds. Strip the dead girl and take her knife. Use her shirt to wrap and put pressure on the wound.

C

FYI bacteria in some women's bladders make urine not sterile, Kooay can easily do a google search and F/UC us over.

D) Bash her on the head a few times to make sure she is dead (the double tap), then strip the dead girl of her shirt, knife, and anything else that could be considered useful. Forage nearby for herbs that would be useful for healing (would be identified because of knowledge from farming community, you never said what she does and doesn't know prior to the games.) cut up the fallen girls shirt into useable bandages to wrap the wound and put pressure on the wound applying the healing herbs on top of the wound.

D

E.(Same as D, but) Ok. But also cut up the girl too. Fresh meat. Start an underground fire and slow bake slivers of her thigh and arms.

It takes a second or two to process such a long list of commands, but it's simple enough to follow through. Flipping her body over, you raise the chair high and repeatedly hammer down on her head, caving in her skull and reducing her face to an unrecognizable pulp. Minute blood spatters appear along your body in the process.
A cannon booms in the distance, confirming her death. YOU HAVE SLAIN AN ENEMY
The chair ends up dented and bloodstained, but can still be sat on. Your hands are further slicked with blood as you strip her naked, a task made somewhat difficult by the mess you've made of her head. Unfortunately you find no other possessions on her besides a bulge of belly fat. Turning your nose up at the fat pig's corpse, you shred her uniform into long strips with the knife. With the wound still seeping you search around the forest floor, but cannot find any of the medicinal herbs that grew near your village. In the interest of time you bind up the wound without any herbs.
Your stomach growls loudly, as the whole ordeal has made you hungrier. Fortunately, the quality of your meal options has improved.

A. Enjoy your Rice Krispies
B.erry bunch blitz
C.annibal time!

D) Eat nothing for now, for Lord Kelvin wouldn't want me to eat in front of an enemy who made such a shamefur dispray. Take Rice Krispies for later.

D. SHAMEFUL DISPLAY

it's hilarious how we're still alive.
D.at shamfur dispray

D

D wins, go for the fail

It simply would not do to eat before such a dishonorabur opponent, even if they are already dead. Gathering up the Rice Krispies, the knife, and your trusty folding chair, you set off in search of new horizons. After a few minutes of walking, the sound of someone else's footsteps comes into earshot. You drop to the ground and lie still, hoping to catch a glimpse of the other. Slowly but surely, the source of the noise comes into view. It appears to be a rotund lizard creature about the size of a chicken waddling along on two stubby legs. Its skin is a mottled orange and white texture and wrapped around its head is a teal colored bonnet. It holds a miniature meat cleaver in one of its claws. Looking very focused on its destination, the creature passes by without noticing you.

A.ttack!
B. Follow it silently
Try to C.ommunicate

D) Leave and replenish health by quietly eating rice krispies as i explore.

E. Good old throw a rock somewhere else and see how it reacts trick.

F. Bow down and worship the GREAT LIZARD

A) Kill the lizard to get the red buff

A

The lizard has become your next victim. Putting on a game face, you jump up and dash towards it with chrome chair in hand. It stops and looks at you with slitted eyes. It opens its mouth, but whatever vocalization it was about to make is drowned out by your furious war cry.  Half the original distance remains. With your intent now obvious the lizard turns and scampers off in a different direction. You give chase, but it proves to be surprisingly fast for its frame. The lizard heads into a denser part of the forest, trickier to navigate. Your legs begin to tire, but the lizard also seems to be having trouble weaving through the clustered trees and shubbery.  You are slowly getting closer to striking range, but at this rate you will be completely exhausted within several minutes.

A. Continue pursuit
B. Throw something
C. Give up

D) throw half of the contents of the box of rice krispies, lizards love rice krispies.

Source: matts bearded dragon.

E) Same as D, but instead empty the entire box. gotta go all in mayne, go hard or go home. Just gotta make sure to beat the crap out of the lizard before it eats all the rice krispies.

E

D wins.

Tucking your chair under your armpit, you rip off the top of the blue cardboard box and toss it away with reckless abandon. You do not even consider how much money that box top could bring to your school. It is not important right now. You open the final plastic seal and shoot the box skyward in the direction of the lizard. Out of the box spews forth a mesmerizing shower of glimmering crisped rice pellets cascading through the air in every direction. You do not stop thrusting it into the air until they all come out. A few of them manage to land on the lizard. Instead of stopping to eat them, it frantically shakes them off and continues running. The rest fall to the ground, and you almost cry out in pain at all the wasted cereal.

A. NOOO PICK THEM UP
B. Throw something else

C. continue chasing while inquiring "WHAT THE HELL ARE YOU. NO MORTAL LIZARD CAN RESIST THE TEMPTATION OF RICE KRISPIE TREATS! IMPOSSIBRUUUUU!!! it looks like you must be... the fabled... MANBEARPIG. This is super serial, i gotta alert PETA... o wait he's not in this hunger games"

C

C

The lizard shrieks back. Surprisingly it seems capable of speaking your native language. But right now you have switched to speaking the language of war. In your red haze you are barely able to make out its words. It sounds like something along the lines of “Don’t kill me pureezu!”

A. "Oh, sorry" [stop chasing]
B. "Oh, sorry" [keep chasing]
C. Time to go all out. Throw the chair.

D. Claim that you won't kill it. if it stops moving, bash its head in with the chair. if it continues to run, go all out and throw the char.

A

B

E. Give chase, but pretend to trip and groan in profuse agony. Scream as loudly as possible and see what lizard does.

E

Time for a pity ploy. Being a master of enforced method acting, you spot a tree root raised slightly higher out of the dirt than usual. You veer off to the side and kick the root hard when the lizard isn't looking. You then step over the root and yell "Oh no, I've tripped!" in a very natural sounding tone as you jump forward to land face down on the ground. Not even bothering to wipe off the dirt, you sit up and hug your leg close to yourself. You rock back and forth, moaning like someone who has hurt their knee.

The penguin lizard stops running and turns around. It stares at you for a few minutes, displaying no movement save for the occasional lick of an eye. Obviously it is so moved by your rhythmic rocking and moaning even its cold blooded reptilian heart empathizes with you.
Your acting sounds so good, you think you could be a pmovie star.

The lizard creature walks over to the folding chair that you carelessly left on the ground for maximum tripping accuracy. It reaches down-

A. NOBODY TOUCHES THE CHAIR [attack]
B. Help me, I'm dying!
C.ry deeply

D. Pretend to speak to the chair, whose name is Jim, begging it not to leave you for the lizard. "Not you too Jim! Don't leave me when I'm at my lowest point!"

E. Roll towards the chair with high velocity, clutching both knees.

D

D

"It is at our lowest point that we are open to the greatest change," the chair solemnly whispers back to you in an imitation of a certain animated TV show character from many years ago. You beseech the chair not to leave you, but it has no choice. It is powerless to stop the lizard from from picking it up and carrying it away. In anguish, you roll onto your knees and raise your arms to the heavens...


A. Chase after the lizard. It's personal now.
B. Oh well, let's get something to eat

C)Throw pillaged knife as the lizard starts to walk away from the chairs location, then bull rush him.

C